Submission guidelines

Thank you for your interest in the 2024 Countdown Improv Festival, produced by Countdown Arts, Inc., a 501(c)(3) nonprofit organization. This year’s festival will run from August 7-10 in Tampa, Florida, and all shows will take place live and in person.

We will be accepting submissions from February 5 through March 20, and will inform all teams of our decisions by early April. Submission prices are as follows: $25 from February 5-6, $30 from February 7-29, $35 from March 1-March 17, and $40 from March 18-20. (The original submission deadline was March 19, but we extended the deadline by one day in response to applicant requests.)

All submission fees are used to offset festival production costs. (Submission fee revenue covers approximately 2.5 percent of this year’s total festival budget, in case you were wondering.) The staggered pricing structure is meant to discourage performers from waiting until the very last minute to submit their shows. It’s a lot easier on the production team when submissions come in steadily throughout the submission period. Finally, from a production perspective, the existence of a submission fee discourages half-baked submissions from groups that haven’t actually read these guidelines and are not actually serious about attending the festival. We’re not apologizing for charging a fee, we’re just explaining it.

That said! If for whatever reason you cannot or would rather not pay the submission fee, please email us at countdownimprovfestival at gmail dot com, using the subject line “Fee Waiver,” and we will give you a fee waiver, no questions asked and no explanation needed. Just tell us the name of your troupe and we’ll get it done.

Troupe size

The Countdown Improv Festival accepts groups in configurations of one, two, and three performers only. If your group contains more people than that, please do not apply, unless it’s a really, really good bit. All submissions (including videos) should reflect the group’s lineup as it would appear at the festival if accepted. Please note: Musical directors do not count toward the three-person limit.

Projected yield

Our festival capacity maxes out at 75 teams. In 2024 we expect to have at least 150 submissions, which means that, if we program the festival to capacity, about 1 out of every 2 teams that applies will not be accepted to the festival. (Of course, our projections might stink, in which case these ratios would be way off. Also, we might not program the festival to capacity this year.) Before the submission process officially began, we offered guaranteed acceptance to all of those acts which, as of 2024, would have performed at the festival for five years or more. Approximately 15 teams took us up on this offer.

Evaluation process

All submissions will be judged twice: once by a committee comprised of producers and longtime Countdown performers, and once by festival founders Justin Peters and Kelly Buttermore. (In previous years, Justin and Kelly were the sole members of the selection committee.) What this means is that Justin and Kelly’s idiosyncratic tastes will no longer be the sole determinant of which teams get into the festival, which in turn should make the evaluation process more objective. Also, as always, submissions will be not be reviewed until after the submission period closes. (In other words, early submissions are not privileged over later ones in the evaluation process.)

Headliners

We don’t have them! Every performer at the 2024 festival has filled out an application and paid a fee, same as you. We don’t invite people to perform, we don’t give special treatment. At the Countdown Improv Festival, we seek to celebrate and welcome every single act on the bill.

Raising the bar

As the festival gets more and more popular, we’ve found ourselves with the good problem of having more high-quality acts that want to attend than we can accommodate every year. While we always do our very best to make room for every act that meets our standards and wants to attend, increased submission numbers means a larger pool of acts to choose from, which in turn serves to raise the bar for acceptance. As such, our projected submission numbers indicate that it may well be harder than ever to get into the festival this year. (Again, our projections could also suck, in which case it might be very easy to get into the festival this year!)

Another point: While past attendance at the festival will always be weighted in the evaluation process, in 2024 this factor will no longer bear disproportionate weight. In plain English: If we get the number of submissions we’re expecting, we might even have to turn down some teams that’ve performed with us before. Not looking forward to this, but it might happen, so please bear it in mind!

Programming strategy

This year’s festival will run from Wednesday, August 7 through Saturday, August 10, and on at least two of those nights we’ll be running concurrent shows on three separate stages. While we understand that, from a perfomer’s perspective, Friday and Saturday are the “money nights,” please know that, when we sit down to program the festival, we treat all nights as equally valuable. This festival is not the sort of festival where all the “good” performers go on the weekend and all the subpar performers are scheduled for Wednesday and Thursday.

To that end, in the part of the application when we ask you to list the nights on which you’re available to perform, please only exclude those nights on which you have actual conflicts. When we sit down to program the festival, performers who can only perform on one specific night often find themselves at a serious disadvantage to those who are more broadly available.

Sorry, no refunds

Festival application fees are non-refundable. Yes, even if you’re not accepted. We can’t believe that we have to actually explain this, but turns out we do!

“Every year we go to the Countdown Improv Festival we only have one regret. That regret is that it’s only once a year. Justin and Kelly put on the best festival in the world. Nobody takes care of the performers better.” –Patrick Newson, Chicago

Experiments welcome

The Countdown Improv Festival welcomes and celebrates experimental work. If you’re wondering whether or not your show is too weird for us, don’t worry, it probably isn’t! If you’d like to consult with us about your show concept in advance of submitting to the festival, please feel free to reach out to us at countdownimprovfestival at gmail dot com. We encourage you to consult with us before submitting your show.

Would at least one of the producers really like to see a Steely Dan-themed improv show at this year’s festival?

Yes, yes he would. Someone should pitch that.

We’ll have three stages again this year

The live, in-person portion of the 2024 festival will take place across three separate stages within the HCC Ybor Performing Arts Building. We’ve reserved the HCC Mainstage Theatre, a 250-seat auditorium; the HCC Studio Theatre, an intimate 50-seat black-box venue; and the HCC Rehearsal Hall, which seats 30 people. We might even have a fourth “secret” stage, probably in a bathroom or something. Oops, the secret’s out.

Set length

Almost all sets will run between 18-22 minutes. On occasion we will program a show that runs slightly shorter or longer than that, but only ever if the format of the show absolutely requires a non-standard length. If your show is one of these types of shows, please let us know in the application form.

Also, we do not videotape performers’ shows at the Countdown Improv Festival. Feel free to tape your own set, though!

Performance video

It is important to include a representative performance video with your submission. A video, more than anything else, gives the selection committee the best sense for not only the caliber and quality of your show, but how to program your troupe/solo act within a lineup if you are accepted. Please know that your submission will be at a disadvantage if it does not include a video.

A COUPLE OF NOTES ON VIDEOS:

  • If your team performed at the festival in 2023, you do not need to send us a video. The only circumstances in which we’d need to see a video would be if the composition of your troupe has changed significantly, or if your show has changed significantly since you last performed it with us.
  • If you don’t have a great video, never fear: We’re willing to work with you. Just note your situation on your application, and give us as detailed a description as possible of the sort of show you hope to perform at the festival. If you have tape of any sort, send it our way. We’ll do our best to give your troupe all due consideration.

Tips on preparing your video

  • Above all else, if you’re choosing from several videos, pick the one that you like the most. Give us a video that you think best represents your troupe and the sort of show you would be excited to perform at the festival.
  • Test your video quality, camera angles, and sound quality beforehand. If any of those three factors strike you as unsatisfactory, please consider submitting a different tape. We’ve gotten more than a few videos with really poor production values, and it is hard to accurately evaluate a tape where you cannot hear or see the performers.
  • Make sure your entire cast is in the video you’re submitting. We want to see your show as it would appear on the HCC stage.
  • We’re looking for full-length performance videos; no clips, highlight reels, or trailers, please. Film your entire show, from intro to blackout.

Thank you for submitting your troupe to this year’s festival! If you have any questions that weren’t covered here, please email us at countdownimprovfestival at gmail dot com.

Click here to go back to the submissions page.